Archive for August, 2008

About blogging: Finding a voice

August 8, 2008

Kurt Vonnegut (via Good Tithings and SDSU — Thanks!) has a great summary of what makes good writing, as well as a good writer:

1. Find a subject you care about. “Did you ever admire an empty headed writer for his or her mastery of the language? No.”

2. Do not ramble, though.

3. Keep it simple. “Remember that two great masters of language, William Shakespeare and James Joyce, wrote sentences which were almost childlike when their subjects were most profound.”

4. Have guts to cut. “If a sentence, no matter how excellent, does not illuminate your subject in some new and useful way, scratch it out.”

5. Sound like yourself. “The writing style which is most natural for you is bound to echo the speech you heard when a child.”

6. Say what you mean. “I understand now that all those antique essays and stories with which I was to compare my own work were not magnificent for their datedness or foreignness, but for saying precisely what their authors meant them to say.”

7. Pity the readers. “Our audience requires us to be sympathetic and patient readers, ever willing to simplify and clarify — whereas we would rather soar high above the crowd, singing like nightingales.”

What a great, pithy list. No excess fat here, just hard, lean advice.

So why is it so difficult?

I’ve been a writer of some sort (student, journalist, screenwriter, diarist, flack) for most of my life, and I’ve blogged for several months now, not exactly daily but quite regularly. But I still haven’t found a voice, a particular point of view. Occasionally a topic or a writing project will resonate with me, but I have a hard time isolating whatever thread it is that is vibrating in me. It’s slippery.

I’ve always been interested in women’s issues, particularly those surrounding whatever age I happen to be or am approaching at the time. But sometimes that seems, well, narrow. Books are always good, but there are (by my informal estimate) about a million book bloggers out there who are doing a fine job without my input. What about American culture? Health? Fashion? Politics? Nah. No fire there.

A mentor of mine, a wonderful professor, years ago clearly saw the coming of the Internet technological revolution. He alerted all his students and colleagues, he was there at the station, he was ready, he was motivated — and he never figured out a way to jump on the train. He watched it as it passed him by.

I think I know how he felt. I’m watching this amazing parade go rolling on, full of color and light and sound, and I can’t seem to find a way to fully join in. I feel like I’m just paralleling the parade.

On second thought: Do men ever worry about this stuff? Is this just me, the ever-dutiful daughter, asking for permission again? I’m not going to stop writing, so maybe, hopefully, over the course of things, I’ll slip into my own personal drawl.

This is probably a question for a beginning creative writing class, but I’ll ask it anyway: How do you/did you find your voice?

My Life in Shoes: Famolares, and me

August 7, 2008

Sometime during the Seventies, I must have had five pair of shoes in my closet that had unusually wavy soles: Famolares. They were Italianate chic and were featured at the major department stores (okay, this was Dusty Corner, remember?) and in all the fashion magazines of the time. I actually saw a Famolare STORE during my first visit to NYC sometime around 1980.

I proudly owned and wore two pair of three-inch platforms and a super strappy style that were fun and extremely comfortable. I walked all over Europe in them during an extended honeymoon, and they were especially dear during my first water-logged pregnancy, when preeclampsia meant they were the only shoes that fit. (Not the platforms, no.) But Famolares gradually faded from view, along with gauze dresses, tie-dyed tee-shirts and fringed jackets.

You’re right: gauze dresses, tie-dye and fringe are still around — and so, apparently, are Famolares. I found them online, but in a different incarnation: still comfortable, still wavy, but somehow a bit boring and middle-aged, like Hush-Puppies. And Mephistos. And ME. Not chic and definitely not Italianesque. ebay has some listings that promise vintage Famolares, but even they don’t seem to have the European panache I remember.

According to the Website, I wasn’t the only one who was impressed by the unique design:

Famolare shoes are on permanent display at the Smithsonian Institution in Washington, D.C., and in the permanent collections of the Metropolitan Museum of Art in NYC and the Cinncinnati Museum of Art.

(Famous wearers of Famolares have included Paul Newman, violinist Isaac Stern, Gregory Peck, Walter Matthau — and msmeta, of course.)

The site still extols “Famolare’s patented 4-wave design: It makes walking in the city as natural and enjoyable as walking in the pine forest. Anatomically shaped for perfect fit and comfort, the resilient sole absorbs shocks to heel and arch, rolling the foot forward in a graceful, extended stride.”

Yeah, sure, that’s what I remember, but what happened to my platform heels and little strappy shoes? “Gone with the Wind, Miss Scarlett,” along with my baby-doll dresses, wedge haircuts, Levi 501s, ballet flats, riding boots, capri pants — Oh, wait. They’re still around, too.

And so am I. We’re all just, well, older.

And as a reward for making it to the end of the post: This fun little diversion, courtesy of Fabulous After 40, is the latest on shoes in The Big Apple.

Why I’m ashamed sometimes to be a blogger

August 6, 2008

This bit of depravity (via Gawker, one of my guilty pleasures) has got to be a new low. I really believe in the World Wide-Open Web, but a few common decencies should prevail, shouldn’t they?

About blogging: Of epithets and self-expression

August 5, 2008

The Backstory: Once upon a time, there was a blogger named msmeta, only she didn’t know she was msmeta and she certainly didn’t know ANYTHING about blogging or the Blogosphere. She just knew that she liked reading about ideas and the arts and women’s issues and, oh, all sorts of things. She was a bit of a geek, actually.

Our protoblogger particularly liked reading things by Terry Teachout, the prolific arts writer and observer who is, among other thing, the theatre critic for The Wall Street Journal, which she reads every morning with a Diet Coke and a handful of Frosted Mini Wheats while seated at her desk at The Rubber Chicken Factory, Inc. (where she is a senior beak inspector).

One day, a year or so ago, she noticed that Sir Teachout also had something called a blog, called About Last Night. Read the rest of this entry »

Be very afraid

August 4, 2008

Jealousy I can understand, along with lust, revenge, fear and wrath. This kind of maliciousness is just beyond me, and very frightening. Mayhem for mayhem’s sake. It’s the same reason why I found The Dark Knight so disturbing. There was no ideology or coherent history behind behind the villain’s mask. Just nihilism.